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The Bibelot

VOLUME I

    Mdcccxcv    

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From The Bibelot, A Reprint of Poetry and Prose for Book Lovers, chosen in part from scarce editions and sources not generally known, Volume I, Number II, Testimonial Edition, Edited and Originally Published by Thomas B. Mosher, Portland, Maine; Wm. Wise & Co.; New York; 1895; p. 32.

II.  BALLADES FROM FRANÇOIS VILLON




[pic]

The Morgue

From the etching by Charles Méryon

Between the tragic lives of Méryon, the Anglo-French etcher, who died insane in Paris, in 1868, and Villon, the first great French lyric poet, whose career probably ended in the Paris morgue four centuries earlier, there was marked similarity. As a draughtsman of architecture Méryon was at his best, but strangely it was Paris of the time of Villon, with which he dealt and which he has preserved for all time in his plates. However, where figures are introduced into his pictures, they are in exceptional accord with the sentiment of the scene, as in The Morgue, where they tell the story of the picture.












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